Light /Eclairage
Calligraphy
2007
Borders
Human
Strange Body
2003
Cactus
Still Life
Identity,
Landscape, Still Life

Installation

Video Art

Sculpture

Photography

Graphic


Photography
 
Reflection, 2007

 

Inside outside
Idea: Each artist chose a sign such as CUBE and define a subject, what, how and when take the photo.
It was in photography workshop with Swiss artist in Gaza strip for the 1st step.
Year 2006


 

2005
Gaza sea port

 

2005
Texture of oxidize

 

Photography Project

A new experience in creating a contrast scene using new technology to treat the pictures

We often watch some photographs that focus on the human features, or angles or places that span the visual aphelion. This encourages me to have my own distinguished experience. I concentrate on sights from other angles by summarizing distances and affixing the Camera to touch the surface of things we use in our daily life. Things such as fiber, paper, and tins with oxidize, chemical material, fascicules, cactus, and fur of toys, flames, and light motion. Beside other things we don’t concentrate on.


Regarding the relationship between the scene and the situation. It is a silent state to watch familiar surface which become unfamiliar when we come closer by taking part of it and handling the picture by using technology and digital modification and multimedia by mix turning black and colored pictures. This comes by distributing a musical color on parts of the picture to make it abstract and simplification to produce new vision.
The eye stops it and analyze it but to in a new and a different aspect! The contrast in color by gathering grayscale and colored spaces in a picture is one of the basic elements. This can produce a musical effect on the other hand the relation among the vision refers to artificial interference. The rapture of feeling, touch of the shape the first role in showing the identity. The other interference is reforming and employing the picture before reforming.

In fact this experience is similar to a chemical experiment between the activating and depressant that excite as an attacking body. At the same time this mixes between the colored and uncolored parts as a depressant to the state that provokes the eye of the perceiver. I mean avoidance of direct and familiar vision. Also being away from the artificial duties with a respect that the audience or people have to see everything new.
This new is simple eye to perceive and analyze. This experience might be hard or tough on the artist himself. But it will be elastic on the perceiver himself.

Abu Sall Mohammed
April 2004
Palestine


2003


2000

 

   
 

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